![]() “And I love that there’s a history and a connection and that we are still reviving some of that and paying homage to it.” ![]() ![]() “There’s going to be a lot of new material, but I’ll be honest with you, when you find the real, the genuine old article that maybe hasn’t been fully shaped in terms of a band arrangement, we do still love the traditional melodies,” he says. Much of that excitement comes from an ongoing discovery of traditional Irish music. “You wouldn’t believe how serious and excited still about the music we make,” says Crawford. It is also very much about their love for what they do. “Putting tours together is never easy, but it’s a lot easier for us than it would be for some bands starting out on their journey now.” “We’re very fortunate that we have a loyal fan base and can do what we do,” he says. Lúnasa is coming off its own big anniversary, having celebrated 25 years together last year. Now going into their 26th year as a group, Crawford says the music keeps them going. “There is a record company who brings us out there every couple of years, and this is a big anniversary year for them, so they wanted to do a recording with us,” he says. As a result, Lúnasa has developed a significant following of its own. Getting in on the Japanese obsession with Irish music, Crawford says Lúnasa began touring the country themselves 15 or more years ago. “It used to be the UK and North America, but the biggest upsurge in people playing traditional Irish music has been and continues to be in Japan for the last 10 to 15 years, starting with Riverdance.” “The largest population of people playing Irish music currently is in Japan,” he says. While an Irish band travelling to Japan to record an album sounds a little discordant, Crawford says it makes perfect sense. “And if we can keep things fresh musically, the time on the road won’t feel quite so severe.” ![]() “But we also brought out our album Cas just before the pandemic, so we’ve not really had the opportunity to play the material before everything got shut down, and there is a lot of from that album that still seems new even to us, so it doesn’t feel like we’re just playing back catalogue stuff.”Ī planned trip to Japan in December will also allow the group to work on material for their next album. “So we’ll use the tour to play some new stuff, too,” says Crawford. “There’s definitely a little catching up,” says the Lúnasa’s flute player Kevin Crawford. “There’s going to be a lot of new material, but I’ll be honest with you, when you find the real, the genuine old article that maybe hasn’t been fully shaped in terms of a band arrangement, we do still love the traditional melodies.” – Kevin Crawford About to embark on a 45-day tour to 30 cities, including Vancouver February 19, as part of its Wild Atlantic Ireland tour of North America, the award-winning traditional Irish music group Lúnasa is not only relieving a pent-up demand following the pandemic but is also using it to finally introduce audiences to their last album and in preparation for a new one. ![]()
0 Comments
Leave a Reply. |